Ernest Hogan

Ernest Hogan

Mondo Ernesto

Saturday, February 27, 2016

Out Now: New Edition Of Ernest Hogan's Underground Chicano SciFi Classic HIGH AZTECH!

Is Proud To Announce The Republication of Ernest Hogan's Wildly Inventive Underground Chicano SciFi Classic


For Immediate Release

Listen to Ernest Hogan read the first chapter to HIGH AZTECH here:

Hear Ernest Hogan and Digital Parchment Services Publisher, M.Christian, discuss multiculturalism in sci-fi, Ernest Hogan's fascinating career and more in part one of a multi-part interview:

"A high-energy adventure peppered with great ideas, well-imagined unusual settings, outlandish characters, and a wicked sense of fun." –Locus

Digital Parchment Services through its Strange Particle Press science fiction imprint, and Ernest Hogan, are extremely proud to announce the publication of a brand new edition of Hogan's chicano science fiction novel, High Aztech

The enhanced ebook version of High Aztech, which contains a new introduction about the writing of this highly controversial novel which introduced Chicano tropes to science fiction, is available now – and a premier trade paperback edition will be coming out in April, 2016.

Hogan, who describes himself as "–a recombocultural Chicano mutant, known for committing outrageous acts of science fiction and other questionable pursuits" has had stories published with great acclaim in publications such as Amazing Stories, Analog, Science Fiction Age, Semiotext(e)SF, and many others.

This re-release of High Aztech by Digital Parchment Services was preceded by Cortez On Jupiter last year – will be followed by Ernest Hogan's Tezcatlipoca Blues, and a collection of Ernest Hogan's short stories: Pancho Villa's Flying Circus.

High Aztech takes place in 21st century Mexico, Tenochtitlán, the metropolis formerly known as Mexico City, is the most exciting place on Earth. Stainless steel pyramids pierce the smoggy sky. Human sacrifice is coming back into fashion, especially on the new Aztechan TV channels, and everyone wants an artificial heart. Xolotl Zapata, celebrated poet, skeptic and journalist, starts receiving death threats from a cult he's lampooned in a comic book. But soon he will have much worse problems and be running for his life. The government, the Mafia, street gangs, cults, terrorists, even garbage collectors will be after him. Why? He has been infected with a technological development that will changing human life as we know it Zapata is carrying a virus that can download religious beliefs into the human brain - a highly contagious virus that is converting everyone he meets, and everyone they meet, to the Aztec religion. This is Witnessing with a PUNCH! Since he's a virulent carrier he infects a large part of the city all by himself, and the masses, filled with visions and portents, await the End of the World.


"The plot twists and turns, bouncing between the horrors of a police state with high-tech weaponry and eavesdropping equipment and the feverish hallucinations that the protagonist endures as he is captured first by one enemy then another. Those who enjoy science fiction will probably find pleasure in this book. I found the book entertaining and clever in the complexities of its plot ... an example of what might be called Latin American sci-fi magico-realism." – Nahua Newsletter 

"Cyberpunk is the combining of science fiction and technology with a future society on the brink of self-destruction. Ernest Hogan takes the concept a step further, blending in his love of the Aztec’s ancient beliefs and civilization to produce very unique and gripping stories. When it comes to science fiction of a different breed, Hogan is definitely sitting in the front row. One reviewer aptly referred to Hogan as a 'mad Mexican Hunter S. Thompson.'" – Wicked 

"Chicano writer Ernest Hogan bridges the gap between hard science fiction and cyberpunk … interweaving Pre-Colombian mythology and Spanish, Spanglish, and Nahuatl language into a humorously dystopian sci-fi context … exploring the intersection of religion, technology, pop culture … with a distinctly Latino twist." – The Routledge Companion to Latino Literature 

"...a delirious mosaic of sex, drugs, rock 'n' roll, post-cyberpunk savvy, linguistic fun and Aztec myth." – January Magazine

ebook (FREE on Amazon Unlimited!)
ISBN: 9781615085804

Trade Paper (coming soon)

Ernest Hogan's Sites:

Distributed by Futures-Past Editions
Twitter: @futurespasted
Facebook: Futures-Past-Editions

For Review Copies Contact:
M.Christian, Publisher
Digital Parchment Services

Digital Parchment Services is a complete ebook and print service for literary estates and literary agents. The founders of Digital Parchment Services are pioneers in digital publishing who have collectively published over 2,500 ebooks and PoD paperbacks since 1998. 

DPS clients include the estates of multiple Hugo winning author William Rotsler, and science fiction legend Jody Scott; authors such as Locus Award finalist Ernest Hogan, Hugo and Nebula nominee Arthur Byron Cover, prize winning mystery author Jerry Oster, psychologist John Tamiazzo, Ph.D., award winning nutritionist Ann Tyndall; and Best of Collections from Fate Magazine and Amazing Stories.

Twitter: @DigiParchment
Facebook: Digital-Parchment-Services

Monday, October 12, 2015


(from Ernest Hogan's Mondo Ernesto blog)

Hang onto your nalgas, carnalito/as, my “Chicanonautica Manifesto” is in Aztlán: A Journal of Chicano Studies, Volume 40, Number 2, Fall 2015!

It's part of special section called “Dossier: Latino Speculative Literature, Film and Popular Culture.” They even used some of my drawings to illustrate the introduction.

Along with my manifesto is an essay: “From Code to Codex: Tricksterizing the Digital Divide in Ernest Hogan's Smoking Mirror Blues” by Daoine S. Bachman.

Also discussed are Chicanafuturism, Latino@futurism, Jamie Hernandez's comics, Afro-Latina and Mexican immigrant heroines, Chicana/o cyberpunk, Gloria Andzaldúa's sci-fi roots, speculative rasquashismo, and Chicano@futurist visual art!

Order yours now!


Wednesday, July 22, 2015


(from Mondo Ernesto)

The first encierro looked out of control. More like a riot than a staged event. Like the scenes in old monster movies where crowds are running through the streets, trying to escape a gigantic monster. Only wilder.

The encierros, or runs, during the the Fiesta de San Fermín in Pamplona, Spain are scored by Time (Duración), Corenados (Gorings), Tramatismos (Injuries) and Peligrosidad (Dangerousness). Oddly enough, Time isn't as important at the rest. Dangerousness is what makes a good, or great encierro.

This is not sport as practiced in Western Civilization. This ritual is more like religion. Like the pre-fiesta protests where PETA beauty contest winners wear plastic horns, take off their clothes, and smear themselves with fake blood. See Richard Wright's Pagan Spain: It is the conquering of fear, the making of religion of the conquering of fear.

Why not a Church of Tauromachy? Isn't America supposed to be all about freedom of religion?

In that first encierro, a woman, after making it to the corridor into the arena, stopped running, and covered her ears. She had reached a personal limit. I watch for people like her, who are facing their fears. Sometimes it reduces you to a pile of quivering jelly, but what you gain from it is the courage of self-knowledge. There is a heroism in it.

This is a truer thing than America's “horror” culture, where fake blood and gore are mass produced and celebrated. Sometimes you need to reach out of your artificial consumer environment and touch the gooey mess of reality. It will teach you about your place in the universe, and the food chain.

It does cause visions of alternate universes to dance in my head: What would Hemingway think of what San Fermín has become? How and when did bullfighting become illegal in Aztlán? What if the Spanish influence was stronger and bullfighting was part of the cowboy/beef culture? Where would the running of the bulls be held in America? Would MacDonald's and Burger King be sponsoring bulls?

There's a Burger King along the encierro route. And a space that is for rent . . .

I really need to find time to finish that science fiction bullfighting novel.

And even though I'm stuck barbecuing my brain in Phoenix, I can enjoy San Fermín at my computer thanks to, SanFerminTV Online, and San Fermin Encierro's YouTube Channel.

How I enjoyed the high-Dangerousness – it got an 80! – encierro on Saturday! At one point, a bull named Finito had three men pinned to a wall. Finito charged into the arena with blood on his horn. Later, he threw Iván Fandiño, who had been gored in 2013. With blood on his face and no jacket, Fandiño killed Finito.

On the last day's encierro, the bulls from Miura made history for being the fastest in history. It set a new record at two minutes and five seconds. It also rated a 60 for Dangerousness. The real action was at Dead Man's Curve.

The bulls were muy bravo, and pretty badass, this year. A speed record, 10 gorings (8 were Americans, we're number one!), and 27 injuries. One bull even refused to run.

But it's all over now. Back to the alternate universes that are America and Arizona. Comic-Con? Really? And there's all this political turmoil, racist rhetoric, violence, and fighting over flags. So civilized.

Thursday, June 18, 2015


(from Mondo Ernesto)

Riots in the streets. Conflicts spreading like viruses. And a presidential election looming. Looks like it's time to go searching for America again.

It's not that we lose America. It's more like we lose track of it. It's especially easy in this days of social media, when you can fine tune your input according to your tastes – then, oh, the shocks when your step out of your comfort zone onto . . . the road.

That's where you find the real America, on the road. Huckleberry Finn knew it. So did Jack Kerouac. And Hunter Thompson.

And so does John Waters.

His latest book, Carsick, is another fine example of the Great American Road Book. He tells of hitchhiking across America, and more.

Carsick is another work of American literature that straddles the borders between fiction and nonfiction. After an introduction, he presents two outrageous novellas: one presenting the best case scenario, the other the worst. Waters' own twisted utopian and dystopian visions. Magnificently outrageous. The kind of stuff that makes you fall in love with America as the fantastic place where anything is possible, the way it should be, if only so many Americans weren't afraid of everything.

This gets into speculative fiction territory, crashing through alternative universes and all. Maybe John deserves a Hugo award for this.

Then, he goes on to document his real trip. Celebrity hitchhiking in the time of interwebs. Real people that are strange in ways his imagination didn't expect. The amazing, mind-blowing thing is – and I'm fighting the urge to commit spoilers here – it leaves you feeling good, and hopeful about this country.

It's the sort of book we need right now. And it makes me once again think of John Waters as a Great American.

Read Ernest Hogan's Locus Poll Top Ten Novel Cortez On Jupiter - For Only $3.99

Friday, June 12, 2015


(from Mondo Ernesto)

Here's what they had to say:

Hogan's debut, first published in 1990, introduced the subgenre of Chicano SF to a startled, dazzled American audience. Now, 25 years later, the book's Spanglish prose and freeform plot still amuse. All Pablo Cortez cares about is creating art, whether it's humongous graffiti sprayed across Los Angeles or zero-gravity paint slinging in space. Uncool authorities and timid collaborators can't stop him. When he confronts the alien Sirens of Jupiter, who have zapped the minds of earlier explorers, he takes their overwhelming flood of bizarre images as subject matter for new masterpieces. Hogan keeps Pablo's obsessive rants from becoming too intense by working them into a collage of comments from friends and enemies, along with hefty chunks of Aztec mythology, as he builds a jangling, rambunctious picture of artistic genius. This is tons of fun for freethinking readers who appreciate heroes with cojones. (Mar.)

Wednesday, June 10, 2015

See and Hear Ernest Hogan On High Aztech!

As part of the celebration of the imminent re-release of Ernest Hogan's incredible Chicano science fiction tale, High Aztech, here's a video interview with Ernest himself, via LATINOPIA WORD!

Saturday, May 9, 2015


(from Mondo Ernesto)

As if there weren't enough turmoil sweeping across the planet, it looks like not even the art world is safe. After years of being seen only in obscure publications, the interwebs, and on those rare occasions when I show off my sketchbooks in person, some of my drawings are making it into an art gallery.

To be specific, Sector 2337, in Chicago, thanks toJosh Rios and Anthony Romero.

From the web page:

On view in the Project Space from May 09-Jun 13 2015
Josh Rios and Anthony Romero will present Part Two of Please Don’t Bury Me Alive!—a project space installation that features various arrangements of the artifacts from their inaugural performance alongside other works that deal with Chicano centered imagery and histories. In addition, a suite of drawings by Chicano sci-fi writer Ernest Hogan will be on display. The collection of works on paper represents the smallest of fragments culled from Hogan’s vast archive of sketchbooks, notes, and drafts, which Rios and Romero are working to curate for an exhibition in the Summer of 2016.
Did I mention that said drawings will also be for sale?

Just what is the world coming to?