Ernest Hogan

Ernest Hogan

Mondo Ernesto

Thursday, June 18, 2015

JOHN WATERS FINDS AMERICA

(from Mondo Ernesto)

Riots in the streets. Conflicts spreading like viruses. And a presidential election looming. Looks like it's time to go searching for America again.

It's not that we lose America. It's more like we lose track of it. It's especially easy in this days of social media, when you can fine tune your input according to your tastes – then, oh, the shocks when your step out of your comfort zone onto . . . the road.

That's where you find the real America, on the road. Huckleberry Finn knew it. So did Jack Kerouac. And Hunter Thompson.

And so does John Waters.

His latest book, Carsick, is another fine example of the Great American Road Book. He tells of hitchhiking across America, and more.

Carsick is another work of American literature that straddles the borders between fiction and nonfiction. After an introduction, he presents two outrageous novellas: one presenting the best case scenario, the other the worst. Waters' own twisted utopian and dystopian visions. Magnificently outrageous. The kind of stuff that makes you fall in love with America as the fantastic place where anything is possible, the way it should be, if only so many Americans weren't afraid of everything.

This gets into speculative fiction territory, crashing through alternative universes and all. Maybe John deserves a Hugo award for this.

Then, he goes on to document his real trip. Celebrity hitchhiking in the time of interwebs. Real people that are strange in ways his imagination didn't expect. The amazing, mind-blowing thing is – and I'm fighting the urge to commit spoilers here – it leaves you feeling good, and hopeful about this country.

It's the sort of book we need right now. And it makes me once again think of John Waters as a Great American.


Read Ernest Hogan's Locus Poll Top Ten Novel Cortez On Jupiter - For Only $3.99

Friday, June 12, 2015

PUBLISHERS WEEKLY REVIEWS CORTEZ ON JUPITER!

(from Mondo Ernesto)


Here's what they had to say:

Hogan's debut, first published in 1990, introduced the subgenre of Chicano SF to a startled, dazzled American audience. Now, 25 years later, the book's Spanglish prose and freeform plot still amuse. All Pablo Cortez cares about is creating art, whether it's humongous graffiti sprayed across Los Angeles or zero-gravity paint slinging in space. Uncool authorities and timid collaborators can't stop him. When he confronts the alien Sirens of Jupiter, who have zapped the minds of earlier explorers, he takes their overwhelming flood of bizarre images as subject matter for new masterpieces. Hogan keeps Pablo's obsessive rants from becoming too intense by working them into a collage of comments from friends and enemies, along with hefty chunks of Aztec mythology, as he builds a jangling, rambunctious picture of artistic genius. This is tons of fun for freethinking readers who appreciate heroes with cojones. (Mar.)

Wednesday, June 10, 2015

See and Hear Ernest Hogan On High Aztech!

As part of the celebration of the imminent re-release of Ernest Hogan's incredible Chicano science fiction tale, High Aztech, here's a video interview with Ernest himself, via LATINOPIA WORD!

Saturday, May 9, 2015

ERNESTO ART IN A GALLERY

(from Mondo Ernesto)



As if there weren't enough turmoil sweeping across the planet, it looks like not even the art world is safe. After years of being seen only in obscure publications, the interwebs, and on those rare occasions when I show off my sketchbooks in person, some of my drawings are making it into an art gallery.

To be specific, Sector 2337, in Chicago, thanks toJosh Rios and Anthony Romero.

From the web page:

On view in the Project Space from May 09-Jun 13 2015
Josh Rios and Anthony Romero will present Part Two of Please Don’t Bury Me Alive!—a project space installation that features various arrangements of the artifacts from their inaugural performance alongside other works that deal with Chicano centered imagery and histories. In addition, a suite of drawings by Chicano sci-fi writer Ernest Hogan will be on display. The collection of works on paper represents the smallest of fragments culled from Hogan’s vast archive of sketchbooks, notes, and drafts, which Rios and Romero are working to curate for an exhibition in the Summer of 2016.
Did I mention that said drawings will also be for sale?

Just what is the world coming to?

Monday, April 27, 2015

REPORT ON AZTECAPHOBIA

(from Ernest Hogan's Mondo Ernesto)


They mock the secessionist petitioners in Texas and other states, celebrate the infestation of even the smallest American heartland towns by African, Asian and Aztec cultures . . .

The above is a quote from Vox Day, one of the puppies who has caused the current shitstorm over the Hugo awards. For those of you who have not seen the wide-ranging media coverage this story is getting, a bunch of guys who don't like the trend in diversity in speculative fiction hijacked the nominations of the Hugos, throwing the future of the awards into doubt. Personally, I haven't paid much attention to the Hugos (or the Nebulas) in decades, but this is starting to hit close to home.

Because, Aztecaphobia is alive and well!

They're afraid of Aztecs coming to their hometowns. The Wild West stereotype of the blood-thirsty, half-breed never died. In Arizona, we still hear people talking about rumors of cannibalism and human sacrifice in the barrio. Schoolchildren speaking Spanish can trigger panic attacks.

Or as a little old lady from Phoenix once said, “We don't want downtown smelling like tacos!”

I've always considered the smell of tacos to be a sign of an advanced civilization.


The idea of an Aztec future must be their worst nightmare. I wonder if they've read any of my books or stories?

Dell Harris' cover painting (he called it “Scorpio”) for the self-published High Aztech ebook must put stains in their underwear.

If you want to get that edition, with that cover, you should buy it now, because Digital Parchment Services is working on a new Strange Particle Press edition of High Aztech, that – among other things – will have a new cover, that and incorporated imagery by a famous Communist artist!

Don't listen to the puppies, folks! Dream the dreams you lust after. Create the futures you want, be they African, Asian, Aztec,Texan or Arizonan. We need more visions, not less. Everybody, let your imaginations go wild!

Don't worry if it scares anybody. They may pull dirty tricks and try to shut you down – it's been the story of my life – but it's worth the fight. If they can't face Aztec cultural warriors, they are doomed.

Besides, one persons dystopia is another's utopia. One culture, one civilization, isn't enough. Imagine more. It's what sci-fi is supposed to be all about.


Thursday, April 9, 2015

Tuesday, March 31, 2015

A new CORTEZ ON JUPITER review!



There's a new review of Cortez on Jupiter in theVol. 5 No.2, April 2015 issue of The Cascadia Subduction Zone by Cynthia Ward. You can buy this issue or subscribe here. Meanwhile, here's some quotes:


. . . the novel undermines expectations on practically every front.

Really, Hogan's entire novel is subversive.

The author's most fundamental subversion is in the language itself. It's true that slangy, dense, not-immediately-accessible language, packed with eyeball-kicking neologisms and non-English words, is a cyberpunk specialty. However, loan-words from a First World power like Japan don't begin to pack the seditious punch of the language of America's own disenfranchised, and Hogan doesn't stop with Spanglish.

I could go on and on, trying to capture Cortez on Jupiter in a word. Revolutionary? Gonzo? Well-written? Nahuatlfuturist? Anarchic? Recombocultural? Satirical? Cutting-edge? All are accurate (yes, even "cutting-edge," though the book was first published 25 years ago).